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Bryan Evans

Born in Pembrokeshire, West Wales in 1964, Bryan Evans has been based in Glasgow, Scotland, since 1988. He specialises in paintings & prints of Glasgow, Edinburgh and other Scottish towns & cities.

He is predominantly a watercolour painter and also produces etchings and mezzotints, as well as a range of reproduction prints. His watercolours and prints have achieved widespread recognition in Scotland, and he was once memorably hailed in the Glasgow Herald as the “New Scottish Impressionist”.

You can contact Bryan at daibry2000@yahoo.co.uk

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2019 Calendar

The ‘Bryan Evans’ 2019 calendar is now available to buy . Just click on the ‘Calendar’ link on the left hand side of this page for more information and details of how to get one .

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St Monan’s Kirk …… again

Another variation on the beautifully atmospheric and somewhat precariously perched , Kirk , in St Monans .

Evening-light-on-St-Monans-Church

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St Monans

The church in the lovely East Neuk of Fife village of St Monans has probably one of the finest views of any in Scotland . It sits next to the shore , virtually hovering over the beach . In particularly stormy weather , I dare say the congregation have more reason than most to pray . This watercolour depicts it at Dusk . For those who care about technique and materials , for this painting I changed from my usual Bockingford paper to a heavier Arches one . This was partly do do with wanting to experiment with a more dense , wash method and partly to take me slightly out of my comfort zone by using different material .

Dusk on St Monan’s Church

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Wemyss Bay Station ….. again

I’ve painted this structure many times before and intend to do some many times in the future as it’s one of my very favourite buildings . If you’ve not had the chance to see it yet  , take the first opportunity to do so .

Ticket Buying at Wemyss Bay Station

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Blythswood Square

A largely monochrome and moody depiction of Glasgow nightlife in the city centre . This is a study that I began several years ago but was unhappy with and  abandoned , until a few days ago . Something about the unfinished piece appealed  so , in a spurt of enthusiasm I worked on it and finished to my satisfaction today .

Hug by Lamplight – Blythswood Square

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Southside

A lovely bright , sunlit close on a fairly run-down street in the Cessnock area of Glasgow . Slightly down at heel areas serve as prime hunting ground for me to find subject matter . The main advantage of this tenement was that there was no security lock at the entrance , so I could quickly nip in to take some photos quite easily . You’re hard pressed to find security-entrance-free closes in the more respectable parts of the city these days . Good for residents , I suppose , but inconvenient for nosey painters of closes

Reflections in Red

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Oran Mor

A study of the moon rising over the West-end of Glasgow . The viewpoint is the corner of Byres road and Great Western Road and is dominated by the imposing presence of the Oran Mor bar and venue . This has been  created out of a converted church and is a favourite night spot for the city’s glitterati .

Moon over Oran Mor

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More Millport

The second of my larger paintings done as a commission of the lovely Millport Harbour

 

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Bobbing Millport boats

I was recently commissioned to produce a painting of the lovely harbour at Millport on the Scottish West-coast island of Cumbrae . I often work on several paintings on the same theme at once and I’ve managed to produce two similar (ish) ones . The client who commissioned them seems to be pleased with both and is currently deciding . I’ll post an image of the other painting , here , fairly soon .

Boats and Reflections , Millport

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Polina in Profile

A dark and moody figure study , finished last week .

Polina-in-Profile

 

 

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